Space runaway ideon deaths12/13/2023 Gundam 0079, as it is often known, created a whole new type of anime – serious drama and action rather than cutesy, sunshine-soaked super robot shows – and is so has had a huge influence on all serious mecha anime, and to a smaller degree all serious anime, since. Mobile Suit Gundam (1979) launched perhaps anime’s most successful sci-fi franchise, and at the time was a revolutionary step in the evolution of anime. Perhaps his most famous and popular title outside of Gundam is 1980’s similarly mecha-based series, Space Runaway Ideon. The Gundam franchise will most likely always be considered Tomino’s masterpiece hence, all titles spotlighted here are drawn from those he has worked on in the franchise. Throughout his career, Yoshiyuki Tomino has proven himself to be one of the most able, innovative and prolific directors of mecha anime, and continues to do so to this day. Tomino’s latest work, Overman King Gainer (2002), received acclaim from fans of the director while forging a different path to those he had travelled down before, albeit still with the presence of mecha. More recent works out of Gundam include Brain Powered (1998), a series with progressive mecha designs, and a non-traditional Tomino plot, while still retaining some of the retro charm of his older work, notably seen in the style of animation. The UC has its own history, cultures, factions and technology that vibrantly complement the theme of space-age war it’s certainly the heart of the Gundam crisis, with Tomino as its most significant creator and mover. Apart from the unifying Turn-A, all Tomino’s Gundam works have been set in the Universal Century, a sci-fi world with attention to detail that few can boast. The titles Mobile Suit Zeta Gundam, Mobile Suit Gundam ZZ, Char’s Counterattack, F-91, Victory Gundam and 1999’s Turn-A Gundam were all masterminded by Tomino, although much of the franchise has been handled by other directors attempting to salvage their own vision out of Tomino’s originals, to various degrees of success. In 1985 Tomino returned to the world of Gundam, and for the next decade, he would have no escape from the franchise. These series perhaps embody many fan’s conceptions of retro, eighties anime, managing to appear little like today’s accepted anime styles yet retaining a beauty of their own. Tomino worked on four series over the six next years, perhaps most noticeable the popular “rediscovered classic” Space Runaway Ideon and Aura Battler Dunbine, released in 2004 by ADV Films. The mood of the director’s work is often related to his personal life during times of depression his writing and directing is harsh and cruel, while happier periods see brighter titles created – observe the contrast between Victory Gundam and Turn-A Gundam, to name a notable example. Tomino’s guise as “kill ‘em all Tomino” became legendary he would send characters to their deaths with glee, and had a talent for emotional and dramatic endings. Anime grew up with Gundam, and hardly any mecha show since doesn’t owe to Tomino in some respect. This series thrust anime into a new direction no longer was it exclusively the domain of shows about all-powerful heroes and childlike bliss. The beginning of Tomino’s golden age is unquestionably Mobile Suit Gundam, the series that spawned perhaps the most popular mecha franchise in anime. He began his career working on the series commonly known as Astro Boy for Osamu Tezuka’s Mushi Productions, but he ascended in the next decade to become one of the then fledging studio Sunrise’s main directors and writers, debuting in 1977 with Invincible Super Man Zambot 3, which contrasts hugely with the type of work he would go on to pioneer. Yoshiyuki Tomino was born on November 5th, 1941, and since 1963 became one of the driving forces behind anime.
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